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The Eagle Flies Alone - Arch Enemy with Angela Gossow



Interview with Angela Gossow


WM: How did you first get in touch with Rock and Metal and who were the first bands that influenced you to create your singing style?

Angela Gossow : I discovered Metal through a British radio station when I was about 15 years old. They played a lot of Thrash and Deathmetal. I got hooked on Metallica, Slayer, Death, Carcass, Napalm Death, Entombed, Morbid Angel… When I started singing in that style these were the bands that influenced me most.

Wikimetal: Arch Enemy has a very unique sound, how would you describe your music to someone who had never heard the band? Is there a way to label the sound of Arch Enemy?

AG: We play Extreme Metal. We mash up elements of Thrash, Death, Speed, Prog, Melodic and Classic Metal. We work with a broad range of influences. This is why our sound is very distinctive and pretty unique.MORE


Angela Gossow on Wiki Content note, mentions of eating disorders.

Angela Gossow was born to Orthodox Christian parents in Cologne, Germany, and had three siblings. She was 17 when her parents divorced. Further financial troubles came in when their business went bankrupt. Being anorexic and bulimic further added to her woes.[1] It was at this time that she decided to move out of home and join the metal band Asmodina. After graduation she joined an advertising company as a trainee, specializing in marketing. She simultaneously began studying economics. In 1997, the band Asmodina split and Gossow formed another band: Mistress.

Gossow is one of the first among a small number of women to front as a death metal vocalist. She has a mezzo-soprano vocal range, with a death growl.[2] She uses false cord screams.[3] Her main influences are Jeff Walker of Carcass, David Vincent of Morbid Angel, Chuck Billy of Testament, John Tardy of Obituary, Chuck Schuldiner of Death, Dave Mustaine of Megadeth, and Rob Halford of Judas Priest.[4]

Gossow joined Arch Enemy in November 2000, after the removal of lead singer Johan Liiva.[5] She had previously interviewed guitarist Michael Amott for a German webzine. While interviewing Amott, Gossow gave him a demo that she described as a "poor quality" video of a performance at a club. After firing Liiva in 2000, the band called in Gossow for an audition. Amott later said that "she wiped the floor with all the other contenders." She then proceeded to record Wages of Sin with Arch Enemy.
On the eve of a 2002 tour, Gossow was diagnosed with nodules, which almost stopped her from growling. However, after some vocal therapy, she was able to recover her voice and she proceeded to begin taking piano and screaming lessons from renowned coach Melissa Cross. She continues to work in close conjunction with her.
On 17 March 2014, it was announced that Gossow was stepping down as Arch Enemy vocalist in order to pursue other interests and spend more time with her family. Gossow recommended Alissa White-Gluz from Canadian metal band The Agonist as her replacement, and will remain business manager for the band.[6]MORE




The World Is Yours - Arch Enemy with the new vocalist Alissa White-Gluz



INTERVIEW: Alissa White-Gluz – Arch Enemy

Alissa: I didn’t really make an intentional goal of being a frontperson of a metal band but I always had a very loud voice, I would even get into trouble at school for being really loud! I was a really good student but my voice just projects so I always had this really loud voice, I was always pretty fearless when it came to anything and I still am I guess. I grew up in a house where my Mom, my Dad, my older sister and I have a younger brother too but he was younger than me but he was just a little baby when I was growing up and these are all music lovers and my sister actually is also a frontperson in a touring band and so we have this great respect and appreciation for music. My Mom has vinyls on the wall of Jimi Hendrix and David Bowie, Janet Joplin, Nirvana, Eric Clapton, The Who, Deep Purple, just all sorts of really cool music influences. MORE



Alissa White-Gluz

Alissa White-Gluz (/əˈlsə ˈɡlʌz/;[2]) (born 31 July 1985) is a Canadian vocalist, best known as the lead vocalist of the Swedish melodic death metal band Arch Enemy,[3] and former lead vocalist and founding member of the Canadian metalcore band the Agonist.[4] Her vocal style includes both growling and clean vocals (singing).[5] Although primarily associated with melodic death metal and metalcore, she has appeared as a guest vocalist for power metal, symphonic metal and deathcore bands, notably Kamelot, Delain and Carnifex and has performed live with Nightwish and Tarja Turunen.
...
White-Gluz was born in Montreal, Quebec, Canada, as the second of three children.[6][7] Her grandparents were prisoners in concentration camps during World War II and managed to escape. Their experiences in the camps would go on to inspire the Arch Enemy song, "First Day in Hell".[8]MORE


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These Days - Nico


Nico Wikipedia


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Nico - All Tomorrows Parties
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Nico - My Funny Valentine

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How the dramatic Nico became a music iconoclast

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Nico and Iggy Pop - Evening of Light
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NICO interview
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somewhere in England Manchester university with 'Blue Orchids'


The Velvet Underground and Nico - Femme Fatale
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MARY OCHER - On The Streets Of Hard Labor


first Single (25.02.2011), taken from the album "war songs" (11.03.2011) Label: Haute Areal, LC13262, www.maryocher.com

Production: Fnag-video
Directed by: Frank Nagel
Camera: TomLobos
DOF-operator: Patrick Kohn

Office clerk - La JohnJoseph
Working girls - Christina Sunbeam, Sophie Iremonger and Maria Heiligen
Anchor man - Gabriel Walsh
Security guy - Fabi Kraft


MARY OCHER INTERVIEW at the New Obsessive blogspot

Gary Farrelly- On the streets of hard labour. A stunning song. I adore it. Is it the best you have written to date?
Mary Ocher- Perhaps. though I now have "The android sea", which will soon (hopefully) have a video too.

GF- Do you like your own work?
MO- Yes. I have complete control over what I do these days. and it feels GREAT!


GF- I adore the music video for the above mentioned song. New Obsessive Sophie Iremonger is working on some road works in the first shot. Where did you meet?
MO- Thank you! We met... on the street, while she was digging.
No, actually we met at her wonderful erotic store may it rest in peace!

GF- What was your first impression of Droog?
MO- -That's fabulousness on high heels!

GF- The lyrics conjure images of progress thwarted, reward less toil and resignation to permanent dissatisfaction. Are these feelings central to the Mary Ocher world view?
MO - No, but it certainly was part of the anarchist ideology that I found at 17, as a fresh high school drop out.
MORE



Mary Ocher - Trampoline
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Mary Ocher on Wikipedia

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Mary and The Baby Cheeses - Ladybug (live at GlogauAir gallery)
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Mary and the baby cheeses - Heavy moon and apologies (live at The Bull and Gate)
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Myspace

Mary and the Baby Cheeses Myspace
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SCREAMERS



MAWASI KHAI -vocals and ngoni (French/Guadelopean/African (nobody seems to know which African country they were from, exactly) Sadly, they broke up in 2008



D-Fe - Kemite



D-Fe - Muziki (Toute la musique que j'aime)








Kim McAuliffe - guitar Kelly Johnson - lead guitar Enid Williams - bass & vocals Denise Dufort - drums




Girlschool - Race With The Devil



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ANYONE KNOWS HER NAME? CAUSE THE ONLY FEMALE NAME I SEE IS IDENTIFIED AS A DRUMMER.



Sasamaso: Fariseo (Madagascar)


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MARIA BRINK



IN THIS MOMENT - The Gun Show (OFFICIAL VIDEO) (USA)


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ALEXIS BROWN




Straight Line Stitch-- (Taste Of Ashes USA)


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Opera vocals

LIV MOON




LIV MOON / 「死の舞踏~ディエス イレ~」 (期間限定)






MIRI MILMAN




Distorted - Children of the Fall (Israel)


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PAULINA "PAULA" MASLANKA



Delight - Divided (Poland)


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SIMONE SIMONS



Epica - Consign to Oblivion (The Netherlands)








JI-IN CHO




KRYPTERIA - Live To Fight Another Day (Germany)


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TARJA TURENEN




NIGHTWISH - Nemo (Finland)


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ANNETTE OLZON



Nightwish - Amaranth (Finland)


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GROWLERS





OTEP SHAMAYA




OTEP "Crooked Spoons" USA
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Kaori Okumura

Yellow Machinegun - Heartache (Japan)


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ANGELA GOSSOW




ARCH ENEMY - My Apocalypse (OFFICIAL VIDEO) (Swedish)


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VERONICA FREEMAN




BENEDICTUM - "HEAVEN AND HELL" Live in 2006 Netherlands



Benedictum - Valkyrie Rising (USA)

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DORO PESCH





DORO - Herzblut (2009) - Version I (Germany)


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MARY ABAZA



MERLIN "DIE" RUSSIAN DEATH METAL


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Some Links:Fuck yeah Female Fronted Metal

Female Metal Magazine
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First heard of Sandra Nasic when cello-rock group Apocalyptica featured her on "Path Vol. 2", which became my favourite song on the track

Apocalyptica feat. Sandra Nasić - Path Vol. 2 [HD 720p]


At which point I tracked down her band and went WTF at the name thereof.

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Krypteria - Victoriam Speramus



Wikipedia

Ji-In Cho (December 30,[1] 1976[2]) is a German heavy metal singer of Korean descent. She has been the lead vocalist and pianist of the power metal band Krypteria since December 2004.

Ji-In Cho discovered her passion for music as a child. When she was six years old, she started an extensive musical education including piano lessons.[3] Ji-In studied Music (Musikhochschule Cologne) and Theology (University of Cologne). Furthermore she has gotten a lot of experience in performing live on stage with several projects. Thanks to her extensive interests, Ji-In feels at home in almost all musical genres.MORE


Google Images


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Its hard as hell to find women in gothic, symphonic, progressive and similar types of metal bands that are not vocalists. we can look pretty and sing, but heaven forbid that we be instrumentalists. That's still considered a man's job. Midnattsol, a a band with German and Norweigan members who perform Norwegian folk metal band, breaks the mold with a female vocalist and a bassist. Carmen Elise Espenæs, younger sister of well respected vocalist Liv Kristine Espenæs Krull (Leaves Eyes, formerly of Theatre of Tragedy) joined forces with guitarist Chris Hector to form Midnattsol. Among the recruits to the new band was bassist Birgit Öllbrunner (who also plays in the band R.I.P.)




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Noiseaux Rocks Worldwide

High energy, in your face rock and roll from Hamburg, Germany, is making its way through the United States as the band, Noiseaux, cranks it up. A girl fronted four piece with an aggressive style, Noiseaux rips it up with songs in both English and German to satisfy hungry ears all over the world.

Sonic Eclectic: How did you arrive at the current lineup?


Noah (Vocals): We’re a four piece now but we used to be five. After our guitarist Peng had left the band some months ago, we tried out ersatz guitarists, but then found that we can write and sound pretty differently compared to our initial phase: by staying a four-piece. We have a new sound altogether. More intimate, a bit more sophisticated maybe. We’re in a pretty exciting phase right now.

SE: How do German audiences respond to Noiseaux?


Noah: We’re not really a German music scene. We make our own, creating a frame of reference for ourselves and bands like us. Audiences who dig us are usually different themselves. Quirky, not mainstream, don’t care about genre and music pigeonholes. And fun to talk to.

Gomez (Guitar): Also, most of them don’t shave.


SE:
What’s it like writing songs in both English and German?

Noah: When I write in English, it’s more direct, authentic, associative. My lyrics in German have a more technical and theoretical approach. Also, in English, I’m much more about phonetics, whereas in German my focus is a bit more on the metrics. Weird. How a language can change what you’re saying and how you’re saying it. Maybe that’s why so many translations suck.



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Nina Hagen's vocal range is pretty damn wide, and so are her musical interests. She has sung everything from punk to hard rock to reggae to opera and even big band, but most of her work has been punk in nature. In fact, some people refer to her as the Mother of Punk, and she has a LOT of respect in from the idols of that era. It ain't hard to understand why. Her use of her vocal talents is absolutely electrifying.

via: Wikipedia

According to reviewer Fritz Rumler:

… she thrusts herself into the music, aggressively, directly, furiously, roars in the most beautiful opera alto, then, through shrieks and squeals, precipitates into luminous soprano heights, she parodies, satirises, and howls on stage like a dervish.

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Check this record from early in her career:

Nina Hagen - Wau Wau 1979


Against this more recent guesting with fellow German band Oomph:

Nina Hagen and Oomph - Fieber


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