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Mazzy Star - Fade Into You (Official Video)



Hope Sandoval's voice is so good!

according to wiki

 

Hope Sandoval was born in 1966 and grew up in a Catholic Mexican-American family in East Los Angeles, California. She attended Mark Keppel High School. In 1986, she formed the folk music duo Going Home with Sylvia Gomez, and recorded one album produced by David Roback, which is yet to be released.[67]

 

Besides vocals, Sandoval plays acoustic guitar, harmonica, Hammond organ, percussion, glockenspiel and xylophone. During live performances, Sandoval prefers to sing in near-darkness with only a dim backlight, playing the tambourine, harmonica, glockenspiel or shaker.[68] She is reputed to have a shy personality, and rarely interacts with the audience,[69] once stating "I just get really nervous. Once you're onstage, you're expected to perform. I don't do that. I always feel awkward about just standing there and not speaking to the audience, but it's difficult for me."[70]

Sandoval currently resides in both San Francisco and Ireland.[71][72]



Mazzy Star - Into Dust


Hope Sandoval and The Warm Inventions - Trouble [Official Music Video]
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Meri Zindagi A Documentary How This All Women Rock Band is Changing the Tune Around Social Issues



Poori Malaviya - Guitarist and Singer
Rita Shulka - Singer and Percussion Player
Jaya Tiwari - Teacher and Mentor and Singer and Songwriter
Niharika Dubey - Manager and Synthesizer Player
Sharadha Bosey - Singer and Percussion Player
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Sharon Van Etten - Jupiter 4 (Official Video)



Sharon Van Etten - No One's Easy To Love


Sharon Van Etten - Seventeen



The Many Lives of Sharon Van Etten

At the same time, Van Etten, 37, was in the midst of returning to her day job as a singer-songwriter, plotting a music video shoot, getting ready for a tour set to begin in February and awaiting the imminent delivery of the finished vinyl for her fifth studio LP, out Jan. 18 via Jagjaguwar. Though typically understated, the album’s title, “Remind Me Tomorrow,” nods at Van Etten’s current juggling act — a tongue-in-cheek mantra for a multitasking mother who also happens to run the small business that is an independent band.

“Crazy, crazy, crazy,” Van Etten said, taking in the scope of her hectic but life-affirming last three years, which, ironically enough, began when she tried to press pause on her music career. “I can’t even believe we’ve done what we’ve done.”

It’s Van Etten’s now-frequent use of we and our in conversation that best mark her transition from a solitary, searching singer, known for her languid, almost gothic breakup songs, to something fuller and less fragile — someone to be counted on, someone in charge of things. Together with her romantic partner, Zeke Hutchins, who was once her drummer and now works as her manager, Van Etten has undertaken what the couple characterizes as various adventures — acting, school, scoring, parenthood — each of which adds to her ongoing project: becoming a more well-rounded, more empathetic artist.

“So much of creative work today is all about like, the solitary genius and sudden rise,” said Zal Batmanglij, who directed Van Etten in “The OA,” the Netflix sci-fi series. “But it’s the people who actually do the work, day in and day out, that are special. They’re after something deeper, their work gets better — things that aren’t necessarily super-fashionable right now. They last the test of time. That’s everyone’s reaction to Sharon.”MORE
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I recently came across the singer Martina Topley-Bird on the Tricky album Maxinquaye and have decided that she's great. :)



Under the cut is information about her from here.

Note: it's a bit out of date, but it has some more interesting details about her than her Wikipedia page. You can check her website for details on her more recent work.

Bio )

& some videos for you all to enjoy:

Tricky – Ponderosa )

Martina Topley-Bird – Too Tough to Die (Live Montreux 2004 )

Martina Topley-Bird Interview )
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Yukimi Nagano is the singer and percussionist in Little Dragon… who, incidentally, have a new album out today!



Wikipedia )

Band Photo )

From Machine Dreams (2009):

Little Dragon – Looking Glass )

Little Dragon – Feather )

From Ritual Union (2011):

Little Dragon - Nightlight )

Interview with the band: Part I | Part II

Collaboration

Gorillaz - Empire Ants (ft. Little Dragon) )

Gorillaz – To Binge (ft. Little Dragon) Live on Jools Holland )

SBTRKT – Wildfire (ft. Little Dragon)
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Good Friday by CocoRosie


CocoRosie explains their fairytale

Their latest album, Grey Oceans, was released this May. It manages to keep the strange experimental sounds such as those from noisemakers and child's toys yet sounds much more polished than previous albums. Bianca told us that the overarching theme of their live shows this tour is "bedtime, bedroom, lovespells, dreams and past lives."

A recent live performance in New Orleans was nothing short of jaw-dropping. They performed with their favorite New Orleans trans musician, Sissy Nobby, of whom Bianca says, "We love him right now."

I was actually shocked to see that they didn't use any type of vocal effects; that's just what they sound like. Sierra's professional opera training is evident; her voice is crystal clear and almost dream-like and Bianca's high pitched gangster squeal was legit. Both girls performed in haunting, mystical costumes, much like those worn in their latest video, "Lemonade," which is amazingly beautiful and very fairy-tale-esque.MORE



CocoRosie - Lemonade (OFFICIAL VIDEO)



CocoRosie - Gallows



2005 CoCoRosie An interview with CoCoRosie @ Junkmedia.org

The story of how Sierra and Bianca Casady formed CocoRosie is on its way toward legend. Two American sisters, half-Cherokee, and not close during their nomadic childhood, are reunited as adults in Paris and, just for fun, record the ground-breaking and eerily beautiful La Maison de mon Reve in their bathtub. The CD finds its way into the hands of powers that be at Touch and Go and suddenly they have a record deal. Sierra abandons her Parisian opera studies and they move to Brooklyn where they mingle with the likes of Antony (of Antony and the Johnsons) and Devendra Banhart. Much touring ensues with positive reviews and comparisons to everyone from Billie Holliday to Portishead.

With their second CD due early next month, Junkmedia spoke with Sierra about the changes that have taken place in their lives in the past 18 months.

Brooklyn seems like the red-hot center of a lot of interesting new music with you, Devendra, Antony, TV on the Radio, etc. What's it like to be in the middle of that?

There's two sides that we see to this subject. One is we just kind of hide away and do our own thing and don't feel necessarily connected to a scene. And then on the other hand there is something special, some kind of collective consciousness that seems to be uprising right now. I think there are several artists in New York that do feel really connected and for us that's Antony, and a few other artists like Diane Cluck. She's a really special folk musician. It's kind of a small little family circle, but there is something. I can't explain it.

Given that you never intended your first album to be heard by anyone other than friends, were you nervous about writing the second album, knowing it would be heard or wondering how it would be received? MORE


ETA: CoCoRosie - Beautiful Freaks of Nature



Website

Wikipedia

Facebook

Myspace
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Esben and the Witch - They Use Smiles to Bury You


Source Magazine Interview: Esben and the Witch

Arriving on stage in a mist of dry ice, and lit mainly by a pair of Victorian style streetlights, Esben and the Witch begin their set with a wave of guitar feedback, leading into debut single 'Marching Song'. Alternating between vocals and floor tom/cymbal, singer Rachel Davies cuts an imposing yet detached figure, backed up by multi instrumentalists Tom Fisher and Dan Copeman, although much of the synths, drums and bass come courtesy of samples.

...
You all swap instruments so I guess you can try anything but there is only three of you.
Rachel: We approach that with positivity rather than a hinderance though. Were not trained musicians either.
Thomas: We have a lot going on live too, like triggering samples and building up layers still. No backing tracks though, so sometimes the songs are slightly different to the original recordings. This allows us to re-imagine them live on stage to the audience.
Rachel: We can re-connect to the songs that way too and freshen them up.MORE



Interview – Esben and the Witch

The band, aka Rachel Davies, Thomas Fisher and Daniel Copeman, are currently on tour following the release of Violet Cries earlier this month and allow Sloucher a few moments snatched conversation before they go on stage at The Harley.

The band’s name, Esben and the Witch, derives from a Danish fairytale involving magic, murder and witches. Why did they decide to name the band with such an unusual name?

“It is something we stumbled upon, we liked the story and the imagery involved and the subtle malevolence and the odd messages intrinsically involved in all fairytales.MORE



Read more... )
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Erica Garcia was a solo artist who was nominated for a Latin Grammy for her song Vete destino in the early part of this decade. She made three albums for Universal, colloborated with several musicians and is now the Percussionist for Fools Gold
Erica García - Vete destino



ERICA GARCIA - HAMBRE - LA BESTIA


Erica García - Quiero llenarme de tí (vivo)


Fool’s Gold’s Erica Garcia: By Tom Tom Magazine


Tom Tom Magazine: What is your favorite percussion set-up? Why?

Erica Garcia: I’m not a real percussionist, I’m a multi-instrumentalist. My friends asked me to play percussion, so I pretty much play whatever they put it in front of me- but I don’t necessarily know the name of the things I’m playing. I definitely don’t like those things that make rain sounds, or the curtain chimes, or however you call it.

Read more... )
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Saw a documentary on them this summer. (ETA:HA!!! Here it is!!! It came out in maybe the early 2000s. HEART - Behind the Music Part One,Part Two, Part Three and Part 4) A big round of applause to Heart! Both sisters are serious multi-instrumentalists and sing, but Ann Wilson is known for the powerhouse vocals, while Nancy Wilson does sweet sweet things to the guitar:)

Heart - Barracuda (1977)



Read more... )
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Wikipedia

Khan, was born in London on 25 October 1979.[2] Until the age of five she was raised in Wembley where her parents had met and married several years before. She was born to a Pakistani father, Rehmat Khan (a former professional squash player from Peshawar) and to an English mother.
...
Khan graduated in music and visual arts;[5] while at university her experimental work was influenced by artists such as Steve Reich and Susan Hiller, and she produced multi-media work centred on sound installations, animations and performance. She went on to work as a nursery school teacher, and it was during this period that she began writing the material for her first album. "Whenever I'm writing music it's a very visual place in my mind," she said. "It has a location full of characters and colours and landscapes, so those two things really complement each other, and they help the other one to blossom and support the other. They are like brother and sister."MORE



Bat for Lashes - Moon and Moon


Multi-instrumentalist Bat for Lashes plays the piano, bass, guitar, autoharp AND the harpischord. DAMN I envy her!


If you are wondering, like me, what the hell is an autoharp?

Bat For Lashes - Prescilla THAT thing in this song would be that instrument.



Read more... )

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