onyxlynx (
onyxlynx) wrote in
rocknroll_n_blues_queens2012-11-20 08:57 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
History
As I have noted about three times now, Harper's, the magazine for people who read, think, and do cryptic crosswords, presents its subscriber-only articles as .pdfs that refuse to allow highlight-and-paste, which means that the article which I found interesting (or weird, depending) is not going to get discussed, not that this was the appropriate space for that discussion, just that it explains my annoyed retreat to The New Yorker's website and the non-blocked short piece on Bikini Kill and the Riot Grrrl movement.
Hanna is one of America’s greatest living rock performers. If you’re pressed for time, start with the 1998 compilation “Singles,” though the first EP—included in the reissue—is one of the most durable punk records of the early nineties. Built from basic chording, it has a clenched, even beat and Hanna’s clutch of vocal personae: victim, abuser, avenging angel. Recorded mostly in single takes and without overdubs, the EP lasts only sixteen minutes.
no subject